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2/13/2011

Charlie Patton

Charlie Patton, better known as Charley Patton (Between April 1887 & 1891 – April 28, 1934) is best known as an American Delta blues musician. He is considered by many to be the "Father of the Delta Blues" and therefore one of the oldest known figures of American popular music. He is credited with creating an enduring body of American music and personally inspiring just about every Delta blues man (Palmer, 1995). Musicologist Robert Palmer considers him among the most important musicians that America produced in the twentieth century. Many sources, including musical releases and his gravestone, spell his name “Charley” even though the musician himself spelled his name "Charlie."
He often played slide guitar and gave that style a position of prominence in Delta blues. Patton’s songs were filled with lyrics that dealt with more than mere narratives of love gone bad. Patton often injected a personal viewpoint into his music and explored issues like social mobility (Pony Blues), imprisonment (High Sheriff Blues), nature (High Water Blues), and morality (Oh Death) that went far beyond traditional male - female relationship themes.

Patton defined the life of a bluesman. He drank and smoked excessively. He reportedly had a total of eight wives. He was jailed at least once. He traveled extensively, never staying in one place for too long.

Patton’s standing in blues history is immense; no country blues artist, save Blind Lemon Jefferson, exerted more influence on the future of the form or on its succeeding generation of stylists than Patton.  Everyone from Son House, Howlin' Wolf, and Robert Johnson to Muddy Waters, John Lee Hooker, and Elmore James can trace their blues styles back to Patton.

In a since, Charlie Patton, in addition to being a bluesman of the highest caliber, might also be the first rock & roller.  Patton was far from passive when he performed in front of an audience.  It was not uncommon for him to play the guitar between his knees or behind his back.  He also played the instrument loud and rough.  Patton jumped around and used the back of his guitar like a drum.  He was a showman and made histrionics part of his act.  Patton was inducted into the Blues Foundation's Hall of Fame in 1980.


The Mississippi Blues Trail placed its first historic marker on Charlie Patton's grave in Holly Ridge, Mississippi in recognition of his legendary status as a bluesman and his importance in the development of the blues in Mississippi. It placed another historic marker at the site where the Peavine Railroad intersects with Highway 446 in Boyle, Mississippi, designating it as a second site related to Patton on the Mississippi Blues Trail. The marker commemorates the original lyrics of Patton's "Peavine Blues" which describes the railway branch of Yazoo and Mississippi Valley Railroad which ran south from Dockery Plantation to Boyle. The marker emphasizes that a common theme of blues songs was riding on the railroad which was seen as a metaphor for travel and escape.

Most sources say he was born in 1891, but there is some debate about this, and the years 1887 and 1894 have also been suggested. In 1900, his family moved 100 miles (160 km) north to the legendary 10,000-acre (40 km2) Dockery Plantation sawmill and cotton farm near Ruleville, Mississippi. It was here that both John Lee Hooker and Howlin' Wolf fell under the Patton spell. It was also here that Robert Johnson played and was given his first guitar.

At Dockery, Charlie fell under the tutelage of Henry Sloan, who had a new, unusual style of playing music which today would be considered very early blues. Charlie followed Henry Sloan around, and, by the time he was about 19, had become an accomplished performer and songwriter in his own right, having already composed "Pony Blues," a seminal song of the era.

Robert Palmer describes Patton as a "jack-of all-trades bluesman" who played "deep blues, white hillbilly songs, nineteenth-century ballads, and other varieties of black and white country dance music with equal facility".

He was extremely popular across the Southern United States, and — in contrast to the itinerant wandering of most blues musicians of his time — played scheduled engagements at plantations and taverns. Long before Jimi Hendrix impressed audiences with flashy guitar playing, Patton gained notoriety for his showmanship, often playing with the guitar down on his knees, behind his head, or behind his back. Although Patton was a small man at about 5 foot 5 and 135 pounds, his gravelly voice was rumored to have been loud enough to carry 500 yards without amplification. Patton's gritty bellowing was a major influence on the singing style of his young friend Chester Burnett, who went on to gain fame in Chicago as Howlin' Wolf.

Patton settled in Holly Ridge, Mississippi with his common-law wife and recording partner Bertha Lee in 1933. He died on the Heathman-Dedham plantation near Indianola from heart disease on April 28, 1934 and is buried in Holly Ridge (both towns are located in Sunflower County). A memorial headstone was erected on Patton's grave (the location of which was identified by the cemetery caretaker C. Howard who claimed to have been present at the burial) paid for by musician John Fogerty through the Mt. Zion Memorial Fund in July, 1990. The spelling of Patton's name was dictated by Jim O'Neal who also composed the Patton epitaph.


Patton's race is the subject of minor debate. Though he was considered African-American, because of his light complexion there have been rumors that he was Mexican, or possibly a full-blood Cherokee, a theory endorsed by Howlin' Wolf. In actuality, Patton was a mix of white, black, and Cherokee (one of his grandmothers was a full-blooded Cherokee). Patton himself sang in "Down the Dirt Road Blues" of having gone to "the Nation" and "the Territo'" -- meaning the Cherokee Nation portion of the Indian Territory (which became part of the state of Oklahoma in 1907), where a number of Black Indians tried unsuccessfully to claim a place on the tribal rolls and thereby obtain land.

Patton's death certificate states that he died in a house approximately twenty miles from Dockery's Plantation in Indianola, Mississippi. Bertha Lee is not mentioned on the certificate, the only informant listed being one Willie Calvin. His death was not reported in the newspapers.



Pony Blues album
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